Being an architect

   as an architect?    as an employee?    as an artist?    as an employer?    as a manager?    as a mother?    as a husband? If so, most likely you will get replaced in near future (maybe except for the personal relationships.!!). And you have no right to complain! For a client an architect may not only be the designer; but also a mentor, friend, technical and financial adviser, negotiator, innovator, artist and also one who care to share the journey. Her role becomes irreplaceable once client find real value other than the mundane details. Though design quality is still the single most differentiator, it is unfortunate that more often, client may not be equipped to fairly judge the quality of design alone.  " A PHILOSOPHY OF 'CAVEAT EMPTOR' HAS NEVER BEEN MORE INEPT " 

World has just celebrated 125 th birthday of one of the most influential architect of the 20 th century, Le Corbusier. This reminded me of my visit to the much famous Millowner's Association Building in Ahmedabad a few years back. There are few cities in the world that can claim more than three buildings by Le  Corbusier, and Ahmedabad is one of them(after Paris, Chandigarh and La Chaux-de-Fonds), with the Museum, the Millowners Association Building, and the Sarabhai and Shodhan houses to its credit. Such major commissions, all initiated during Le Corbusier’s first visit to the city, attest to Ahmedabad’s intellectual climate and economic prosperity unrivalled in India for a city of its size. A comparative visual study by Peter Serenyi, comparing the Hall of Public Audiences, Red Fort and the Assembly building, Chandigarh hinting on the inspirations of the architect for his public buildings. Since its founding by Sultan Ahmed, Shah of Gujrat in 1411 AD, A...

There is an old Chinese saying: 一分 钱 一分 货 , "yi fen qian, yi fen huo" (pronounced ee fen chee-ahn, ee fen hoo-oh), which gets translated into the post title ‘You get what you pay for.’  People are accustomed to understand the adage when they buy a luxury car, an apartment or an iPhone. Surprisingly, they pretend to forget it when they are commissioning an Architect. The curious fact is, an architect’s role has a lot of subjectivity into it that one will not be able to gauge it from the receiving end. (You could easily compare the features between a Merc and an Audi before signing the cheque). "THE SADDEST PART IS, IN MOST OF THE CASES, LESS PAY RESULTS IN SUBSTANDARD WORK."

Fashion: Noun: A popular trend, esp. in styles of dress, ornament, or behavior. “I hate everything that is driven by fashion. From the beginning I was hating in the 60s the American way of styling, especially cars. They changed their styling things every two years and designed new ones which is nothing to do with good design” . Dieter Rams Dieter Rams is considered to be one of the most influential industrial designers of the 20th century. He is believed to have inspired the designs of iconic Apple products like iPod.  His observation is strikingly relevant in the field of architecture. "DESIGN TODAY HAS BECOME MUNDANE AND BANAL; FRIVOLOUS AND EFFETE. IT IS PLAYING ON CHEAP EMOTIONS, LIKE BEING THE TALLEST, THE LARGEST, OR THE MOST STUPID! BRIGHT COLORS, REFLECTIVE METALS AND USING A SURFEIT OF MATERIALS GET CRASS ATTENTION." [Now, a word of caution: the rest of the post may not be popular among or pleasing to all readers. The observations a...

Architects are associated with sketching long before the profession has evolved. One automatically expects an architect to sketch and explain his point. Architectural career choices are still majorly influenced by the candidate’s proficiency in sketching . Is the skill heavily overrated? Or does it deserve the hype? The problem starts when one confuses sketching with ‘art’. Definitely, creativity (and thus similar tastes) has its own part in shaping an architect’s career. But what one forgets in the debate is the potential of a ‘ skill’ as basic as sketching which can help the professional in a long way throughout his career. It is a skill which can be learnt and mastered. A very powerful ‘tool’ - sometimes the most powerful - which if used with care, can simplify many a process. It’s also a skill which is very enjoyable. "STRIPPING INFORMATION INTO THE VERY BASICS HAS HUGE ADVANTAGES."

Accept it. Student architects are always confused about choosing the right career path. It gets all the more complicated with myriad options (and specializations) available today. Though the scene has changed a lot, I think the speech by Charles Correa more than a decade ago ( Convocation Address at the School of Planning and Architecture, New Delhi, 1996 ) still is very relevant. I want to share his thoughts as a continuation of my post  'architecture as a profession' . His observations are sharp, as usual, and I am sure that any architect at any stage of his career will get useful (if not motivating) insights from the speech. Extracts from his talk are given below.     “How much we grow depends on the issues we have the good fortune to address. This brings to mind a story told to me by Arvind Talati, a young Indian architect who followed Doshi at Corbusier's office in Paris. After working for two years or so, when Talati decided to return to ln...

It was a lazy Saturday afternoon. Through the large window of my studio, I could see that it had started drizzling. The weather could not have an impact on me as I sat there spellbound, staring at a junior architect’s academic work portfolio. I just witnessed a project with ‘seemingly harmless’ brief got itself pushed into the shape of a ‘turtle(!)’ (you read it right). I couldn’t help myself from asking the architect the motivation behind the ‘work’ as it defied all my logic and little experience accumulated over years about the specific building type. Was he limited by the area program, a difficult or peculiar site, or confronted by any structural requirement, or any other thinkable factors which could have forced him to attempt this bizarre unconventional solution? Apparently none of the above! "THEY DO NOT BELIEVE THAT BUILDINGS CAN HAVE ‘SILENCE’ AS A CONCEPT, ‘LIGHT’ AS A CONCEPT OR ‘SPIRITUALITY’ AS A CONCEPT."

My friend’s son wanted to meet me. It was a bit of surprise to know that he needed counseling from me in choosing his career. To be more specific, he got caught in the latest fad of becoming an Architect (thanks to recent media for glamorizing the trade). I remember reading my earlier boss’ article describing a similar situation in which he tried (in vein) to explain to a student how the career of an architect is more than making pots of money, but about knowing ‘gaps’. Explaining in length about gap was primarily meant to indicate the importance of detailing, difference in schedules and budget etc in the profession.( Importance of detailing in itself demands more than a few posts.) It was not at all surprising that the starry eyed student opted for a much safer choice. So, is it all about mundane details or schedule ? Can’t he get paid handsomely for ‘dreaming creatively’ also? "THE COLLECTIVE SOCIAL AESTHETICS IS YET TO GET EVOLVED INTO A REFINED TASTE TO APPRECIA...

Back to bit of a regional talk. Always tried to explore (and respect) the wisdom accumulated over years (in all fields and architecture, in particular) an thus thought of sharing a few thoughts on vernacular residential architecture in Kerala. One of the most talked-about and debated issue in the construction industry today is Vastu. Vastu ( Thachu-shastram , its regional application) and its principles along with the danger of its over-commercialization may be discussed later(deserves separate post(s)!). What one ignores in the noise is a highly evolved vernacular construction method in Kerala, perfected over years. The attempt is to find out the reasons and conditions which might have resulted in this evolution which might in turn help to adapt these principles in present day scenario.   "ONCE WE START IDENTIFY AND ADAPT RELEVANT TECHNIQUES AND METHODS BASED ON LOGICAL THOUGHT PROCESS AND NOT UPON ITS   NOSTALGIC   VALUE OR IMPOSED VASTU NORMS, WE...